Showing posts with label advertising new business. Show all posts
Showing posts with label advertising new business. Show all posts

Sunday, July 19, 2015

Finding Your Presentation Voice




Having worked at 100+ agencies and trained or coached thousands of people in presentation skills, I have reached a conclusion that are plenty of different ways to a great presentation and just as many ways to do a poor presentation.  While this may seem counterintuitive, my point is that there is no one way to do it.

The problem is that when well-meaning people try to help others with their presentation skills, the end result is advice that basically says “do it just like me and you will be great.”  This creates many unintended consequences like having a group of people that all look the same or having many presenters that simply look out of sorts, trying to be something that they are not.

Everyone needs to find their own speaking style.  One that allows their natural personality to come through and accentuates their strengths.  For some, this style might be more measured and thoughtful.  That does not give that thoughtful presenter permission to be a sleepy presenter but it does give them permission not to be overly boisterous. 

Other presenters will naturally be more high energy.  They are the jolt of caffeine that interjects new life into the presentation. 

Just think for a moment what it would be like if everyone was the jolt of caffeine.  That would be a very difficult presentation to sit through.  Just like all clients sitting across the table from you are not alike, your pitch team should have similar diversity in their presentation styles.

While I am more than happy to give people a great deal of latitude in finding their presentation voice.  That does not mean that there are not some rules.  No ummmming and ahhhhhing your way through a presentation. No low energy presentations to the point of sleepiness.  No reading from notes.  Put the laser pointer down…you look ridiculous.  I could go on with the list but you get the idea.

Work to find your own voice.  Don’t try to mimic someone else’s voice.  It is fine to learn from watching others present but don’t abandon your own style in an effort to present like someone else.  Even if they are your boss;-)

Mark Schnurman
President -- www.filamentinc.com

Wednesday, February 11, 2015

Loctite wins the Superbowl!!!

The general consensus seems to be that Fallon's Loctite Glue won the Superbowl. 
 See Loctite Glue spot.

The spot was funny and creative but as I walked through Home Depot the other day, I saw the Loctite Super Glue display.  $3.48 for a little bottle.  Assuming that Home Depot makes a $1.00 or so in mark up, that means Loctite needs to sell two-million or so bottles just to pay for the media (fuzzy math, not real math).

For a product that you only use occasionally, that seems like a tall order to me.  It is not the low price point but the infrequency of the purchase/need that makes it look like a curious choice for the Superbowl. 

I have read that Loctite spent what amounts to their entire marketing budget on the spot.  Time will tell if it was a wise investment.

Thoughts?

Mark Schnurman
Filament Inc.


Thursday, December 11, 2014

David Droga thoughts on work ethic and creativity

I found a nice podcast by David Droga on work ethic and creativity.  It is interesting to hear his point of view on what he needed, and still needs, to do to be successful. 

My favorite quote from the podcast..."I wish creatives cared more about the ramifications of their work not just care about the creativity of it."  Very powerful.

Enjoy... http://drt.fm/david-droga/

Regards,
Mark Schnurman
Filament Inc.

Tuesday, September 23, 2014

Jon Steel, head of planning at WPP, give a great talk on communication, creativing and pitching new biz.








Tuesday, September 9, 2014

The Spark - Inspiring Better Presentations

While this blog is dedicated to winning new business part of the new business process is the presnetation.  Filament has launched a new blog (The Spark) dedicated to inspiring better presentations which looks  both withing advertising and beyond advertising to share lessons and thoughts on what makes for a great, compelling presentation.

Check out The Spark.






Wednesday, June 4, 2014

The following is a great blog post from The Hodges Partnership, a PR firm in Richmond VA.  I thought it offered great insight into life at an agency.

Eight things I’ve learned after one year at a PR agency

May 20, 2014 | by Kelsey Leavey

After turning my internship at Hodges into my first real job, no one has been able to scare me away, yet. During my first year working in an agency I’ve had a variety of experiences – writing pitches, helping to plan the office holiday party, creating social content for clients and keeping the supply of caffeine and sugar at an all-time high. Here are the eight lessons I’ve learned during my first year in PR:
  1. Time management is important. Working at an agency means you’ll have quite a few balls in the air at one time, and it’s your job to ensure that none of them hit the ground. Turning in something late no longer means getting a bad grade, it means an angry client. Always ask for clear deadlines and break your habit of procrastination early.
  2. Don’t be afraid to speak up. Your ideas are valid. At THP we do agency brainstorms twice a month and everyone is expected to contribute. Whether you’ve been in your job for five weeks or for five years, provide thoughtful input. Don’t blurt out all 50 ideas you have but don’t be afraid to share the ones you feel strongly about.
  3. Ask for feedback. Create an environment where people feel comfortable sharing constructive criticism with you. Did you write your first pitch? Ask for honest edits and advice from a coworker. Asking for feedback now will help you to avoid developing bad habits that will be hard to fix later in your career.
  4. Social Media will continue to change. In the past year Facebook redesigned its timeline and newsfeed, Twitter drastically changed the layout of its profiles and LinkedIn launched Sponsored Updates, changing the game for companies using the platform. Stay knowledgeable on these constant changes and be flexible to changing your social strategies.
  5. Writing takes practice. There are major differences in writing the 15 page research papers you wrote in college and PR writing. Pitches and press releases should be short and concise, while also eye catching and interesting. Blog and social content should fit the client’s voice and tone. And if you’re writing for a B2B client, learning how to be a great technical writer will be important. Raise your hand for writing projects when they come up; it’s the only way to gain valuable experience.
  6. Do your research on reporters. If there’s one thing I’ve learned about media relations during this past year, it is to spend valuable time researching who you’re pitching and know what they are interested in. Doing this won’t guarantee a story, but it increases the likelihood that they will acknowledge your pitch or keep your information for when they have a story that is a fit for your client.
  7. Don’t be the last one to arrive and the first one to leave. There’s no such thing as homework in the real world, but there are times where there just isn’t enough time in your work day to get everything done. That means coming in early or staying late. Trust me, your coworkers and bosses will notice if you’re always the last one to arrive in the morning and the first one to leave.
  8. Don’t be discouraged. There will be days where you send out the perfect pitch to a reporter that should jump at the opportunity to cover your client, and you’ll hear crickets. And there will be days where things just can’t seem to go right. Don’t let the bad days discourage you from working hard and doing your best work.
But hands down, the most important thing I’ve learned at Hodges is that the number of days without donuts WILL determine office happiness (read: that number needs to be low). If you’re in your first year in PR, share what you’ve learned in the comments below.

-- Great job by Kelsey at www.hodgespart.com sharing her thoughts on the industry.
-- Mark Schnurman
-- President www.filamentinc.com

Monday, February 6, 2012

Don't pitch like Madonna's halftime show

Maybe I need a break from new business pitches because I am starting to see parallels in the most peculiar places. The most recent parallel was in last night's Super Bowl Halftime show.

It seemed as if Madonna, in an effort to be FCC-friendly and inclusive, strayed from her irreverent style and settled smack dab in the middle of mediocrity. In an effort to make the show less lame, she added Trojan warriors, a high-tech stage, LMFAO, Cee Lo Green and M.I.A. All of which made the show busier but no less interesting. How often are the advertising equivalent of Trojan warriors added to your pitch? The result is the same... a busier, but no more compelling pitch.

Just like bells and whistles don't make a boring halftime show any less boring, those same bells and whistles also don't help to make a new business presentation any more compelling.

It is easy to get caught up in the fun of finding new and interesting tricks to make new business pitches cool, but it is not always time well spent. Clients are smart enough to see really smart thinking and creative. Over time, clients have also become adept at recognizing pitch bells and whistles.

Ask yourself and your team "what do we want the client to remember about our agency?" Odds are, the answer is not that you had really cool Trojan warriors.

Mark Schnurman
Pitch Consultant -- Filament Inc.

www.filamentinc.com

Wednesday, September 28, 2011

Every Presenters Nightmare

The following post is from Jim Joseph's blog, Jim is President of Lippe Taylor Brand Communications and author of the book The Experience Effect. I thought his post was a wonderful reminder about both preparation and connecting with the audience.

Every Presenter's Nightmare
I guess I should consider myself lucky that I lasted all these years without it ever happening to me. But yesterday it did. The moment I have dreaded for years ... the moment that all public speakers dread.

I was speaking at the MDPA marketing conference just outside Washington, DC ... talking about the evolution of social media especially as it relates to wellness. The MC of the conference makes a very articulate introduction for me and I confidently walk up onto stage. I say "Good Morning" with all the gusto I've got and hit the button to advance the next slide ...

Nothing happens.

I click again, I point it at the screen, I click again ... Nothing happens. Thinking that maybe something will save me I click again ... Nothing happens.

I decide to give an intro to the slides while the IT folks figure out what's going on -- to buy myself some time ... Nothing happens.

By the look on the IT guy's face, I quickly realize that I am hanging out there on my own. Forty-five minutes of content and I've got no slides. So I just start talking ... and something really cool happens.

I connect with the audience!

I pretty succinctly convey the message I want to make without a single slide. I proceed to tell a story of what I want people to hear from me. I put all my attention into the audience, rather than on the slides. And although I may not have hit every bullet point from every slide, I certainly did deliver the message. And because everyone felt so bad for me (and afraid for when it's their turn), they actually paid attention. Nothing like sympathy to draw in a crowd!!

What a concept. A story that people paid attention to ... at a marketing conference! I got pushed out of "slide land" and was forced just to talk and to tell a story. And by the sound of all the Q&A that happened afterwards, I'd say it went really well. Without a single slide.

Five lessons learned from this "experience":
- Be prepared for the worst case scenario ... always
- Tell a story ... in the moment
- Pay attention to your audience ... and they will pay attention to you
- Give 'em just enough content to spark engagement ... and they will ask questions
- Smile the whole time :) ... and they will smile back!!

Now that was an experience!! Ever happen to you? Jim.

Friday, July 1, 2011

Filament Inc. has a new website

After toiling over every word of copy and scrutinizing every photograph, Filament Inc.'s new website is up and running. While the old site served us well, it was starting to look a little dated. A fresh look at the copy was also useful.

Take a look, give us some feedback!

www.filamentinc.com


Mark Schnurman
Pitch Consultant - Filament Inc.

All Hand on Deck!

When I am with a new client working on a pitch, I am usually asked how other agencies handle the responsibilities of writing the deck. While revealing how a particular agency handles deck writing would be like revealing Kentucky Fried Chicken’s secret recipe, there are basically two different philosophies of deck writing represented by a deck dictator versus a deck democracy.
The deck dictator scenario is where one person writes every deck. The biggest advantage of the pitch dictator is that the agency is assured of a consistent flow and cadence to the deck with a low chance of inconsistencies. This typically makes it much easier for the audience to track with the presenters and follow the story. While this is the only significant advantage, the advantage is enormous and should not be overlooked.
The disadvantages of the pitch dictator are numerous. The most obvious is the tendency to get only one point of view. If that point of view is in line with the client, you are golden. If not, you will likely lose the pitch.
From a management standpoint, one author handling all new business puts the agency in a precarious spot. Basically, the entire new business engine is being run by one person. That person can then dictate their terms to management when it comes to compensation. Meanwhile, two or three concurrent pitches, a pitch during the dictator’s honeymoon, or a wayward bus on 5th Avenue could all put the agency in trouble.
Another disadvantage of the pitch dictator is the tone of voice. Presenters have different tones and manners in their presentations, and if they are not writing the content, the tone is not likely to fit their style. A presenter that needs talking points on the screen could be completely flustered by a dictator that does not believe in talking points. A more formal choice of words, which may work for a copywriter, might be completely inappropriate for someone without a copy background.
Finally, the dictator can become the bottleneck in the process, and virtually no work takes place until after the deck is written. Since people have little input on their slides, no one feels any urgency to do any work since they are going to be told what to say and how to say it.
At the other end of the deck spectrum is the deck democracy, where many authors contribute to the process. The big advantages of this style are that more people are developing their new business skills, the bottleneck is distributed among a number of people, and the agency is better prepared to handle multiple pitches (or wayward busses).
From a presentation standpoint, deck democracies are a mixed bag. While it is a significant advantage to have people write their own content, the downside is that this process frequently leads to subtle contradictions in the deck where presenter A says one thing and 30 minutes later, presenter B says something that conflicts, confusing the audience. A way to avoid this is to have enough time to rehearse to uncover the contradictions.
The presentation advantage of a deck democracy is that people own their content. It is written in their tone of voice and they should completely understand their slides since they wrote the slides. This ownership should lead to more genuine and compelling presentations.
If the more democratic approach makes more sense to you, there are a few techniques that will make it go more smoothly. First, have one person in charge of writing the agenda and organizing the content. This will help to make the content flow better and be easier to follow. Develop a style guide that lets staff understand the basic methodology to putting together slides. For example, bullets should not have children or grandchildren. No more than five bullets per slide. Bullets should be as short as possible and not full sentences. When possible, use a picture instead of a bullet. This will help to make the deck look more consistent. The last thing to keep your eye out for is that not everyone is going to be good at writing content. Including bad content simply because it is already written is not doing anyone any favors. Weed the garden and get rid of weak content.
I have seen both the dictator and the democracy systems work. Agencies that win the most seem to be best at adapting themselves to address the weaknesses of either the dictator or the democracy. Pick whichever system works best for you, but have your eyes open for the built in disadvantages of each option.

Mark Schnurman
Filament Inc. - Pitch Consultant

www.filamentinc.com

Tuesday, May 3, 2011

Clear all hurdles to win the pitch

During the pitch process, clients are not just looking for the agency they should hire. More importantly, they are looking at the agencies they should not hire. An agency needs to clear a number of hurdles in order to win the business. Some of the hurdles are obvious: creative, strategy, capabilities. But some of the hurdles are more difficult to see coming: charisma, likability, chemistry.
First let’s take a look at the obvious hurdles. When it comes to creative, clients are not only looking for good creative (and you can define good however you like), but they are looking very closely to make sure that the creative is on strategy. In both pharma and consumer pitches, I have seen creative presented that was not completely on strategy. There are typically a number of reasons for this. One is that it was politically not a good move to kill the concept. Perhaps the creative person had another concept killed and the team did not want to kill two concepts from the same person. Another reason could be that the concept was really exciting and sexy. While agencies will frequently argue that clients can’t spot great creative (this may or may not be true), clients can absolutely spot concepts that are off strategy. Present them at your own peril.
Another hurdle that the agency needs to clear is strategy. Unfortunately, sometimes the strategy to market a drug is pretty clear, and numerous agencies will wind up on the same strategy. If the strategy from agency to agency is the same, the winning agency frequently is the one that either did the most compelling research or did the best presentation of the strategy.
Research is the piece that establishes that the strategy is solid and not just your team’s opinion. Presentation skill is the component that develops the necessary excitement around your strategy. Do not think for a moment that presentation skill can’t be the difference between winning and losing. A better presentation of similar content can push your agency across the finish line first.
Capabilities is a different kind of hurdle. One would expect that if you make it to the pitch, you have made it over the capabilities hurdle. If you are a smaller agency and made it into the finals against larger competition, have you ever lost because the client wound up wanting a bigger, more established agency? If so, did you really make it over the capabilities hurdle? There is nothing you can do to make your agency bigger overnight, but it does make you question pitching a product when you know that you are at a disadvantage. A competitor three times your size is three times as likely to have someone on staff that is an expert in the therapeutic area being pitched, and their new business budget could be five times the size of your new business budget. I am not suggesting that you never pitch against larger competition; I am suggesting that you recognize when the cards are stacked against you and choose your battles wisely.
Charisma, likeability and chemistry come from a combination of factors, some of which are in your control, some not so much. Some people are naturally more charismatic as presenters. In many ways chemistry is a crap shoot. That being said, rehearsal can help to improve those areas. Once you are confident in what you are going to say, you can start to concentrate on connecting with the audience and being more personable. As rehearsals progress, presenters tend to spend less time worrying about the words and more time focusing on the audience.
When the strategy and creative are similar from agency to agency, presentation skill plays a larger and larger role. Two of our clients pitched a major retailer a few years ago. The agency fee (not including media) was well over $30 million per year. While each agency had its advantages, the winning agency was simply more likeable. Even the losing agency admits that they are not particularly warm in a pitch. The winning agency views warmth and charm as an important part of their presentation and works hard to dial it up. The other agency is also very smart, but they present the facts as they see them and make little attempt to connect with the audience. It is difficult to say that charm was the deciding factor, but connecting with the audience is in every agency’s control and is not something that should be ignored. It is not just the words but how you say the words. This is the last hurdle that you have to clear in order to win.

Mark Schnurman
President - Filament Inc.

Monday, April 18, 2011

One pitch, one leader

The single biggest characteristic of winning agencies is that they have a clear leader for every pitch. Rather than a bunch of people who think they are the leader, a team needs a very clear, one-to-one relationship: one leader for one pitch.
The pitch leader’s primary role is to keep the process moving. The leader is the final arbiter when there is a discussion about things such as strategy or creative. This does not mean that the leader makes every decision. It does mean that this individual makes sure a decision is made and that the process keeps moving.
Far too often agencies get derailed discussing a subtlety of strategy or creative when they would have been better served to move on with the process. The pitch leader needs to remind the team that the clock is ticking, and every minute the team spends on the particular topic at hand is one less minute that they have for the rest of the process.
The natural question becomes who should be the leader.
The advantage of the new business person becoming the leader is that this individual frequently sourced the lead and is very connected to the prospect. He is frequently a very strong strategic person with a great understanding of the new business process. While these are great advantages, the one disadvantage can be huge: no one on the pitch team reports to him. As a result, he can persuade and cajole pitch team members to do their jobs, but he has no hammer. To make matters worse, it is his rear-end in a sling if he loses the pitch. To sum up, the new business person is responsible for winning and is compensated and evaluated on the agencies win rate, but he has virtually no power to get people to execute the pitch. Not an enviable scenario.
The creative director can be a good choice because a large part of the pitch process and a good deal of the last minute work is in her department. She is the best person to crack the whip on the creative department, and she understands the numerous issues that can come up in the creative department during a pitch. There are two basic disadvantages. The first is that it can be difficult to get account services and strategy to listen to the creative director. The second is that process orientation is typically not a term used to describe creative directors, and the ability to stick to a process is very important in working a team through a pitch.
Similar to the creative director, the head of account services or strategy can make a good leader. The advantage is that a good portion of the team reports to him, and he is likely more process and schedule driven than a creative director. The disadvantage is that the creative team does not report to him, and he is not as tuned into the creative process as a creative director. This can lead to a certain amount of resentment when the pitch leader is trying to drive the creative team to stop tweaking and start rehearsing when that pitch leader has never been in that art director’s chair and does not understand the creative process.
The head of the agency is the obvious choice for a number of reasons. Everyone reports to her, so she should have no problem motivating people. Sticking to the process should not be an issue for her. But even the agency head has a few potential downsides that need to be addressed. First, the pitch leader needs to be at most, if not all, of the meetings. If the leader is not present, the leadership vacuum can grind the process to a halt. The second is that the leader needs to be careful to lead the process and not simply take over the process. Because of their role at the agency, suggestions made by managing directors and CEO are frequently taken as mandates by well-meaning staff. As a result, the process can turn into one person’s thinking.
While it may seem as if there is no ideal pitch leader, by simply managing the disadvantages of each potential leader’s role, you can develop a strong pitch process. I have seen people from each role be great pitch leaders, and I have seen people from each role fall prey to the disadvantages listed above. The key is insure that you have one person running the show. While we can discuss which person will make the best pitch leader, typically a committee will have all of the disadvantages listed above without any of the strengths. This is not to say that a committee can’t work, but you will make the process more difficult and painful than it needs to be.

Mark Schnurman
Pitch Consultant

www.filamentinc.com
Real Time Analytics